Tough times don’t last; tough folks do.
There isn’t much of the past year for anyone to be positive about. It sucked. Touring came to a screeching halt, and for a band like American Aquarium, that was killer. They put out their eighth studio album, Lamentations, anyway. Against all odds and better judgement. And it was one of their best. Continue reading
Bri Bagwell is an old pro at Mile 0 Fest; she hasn’t missed one yet. Last year, she came solo and played acoustic. This year, she’s especially excited to be bringing her full band.
Bri moved to Austin for school at 18-years-old, and she liked it so much, she never left. She quickly paved her path within the Red Dirt scene. A native of Las Cruces, New Mexico, she had long admired the artists that she now calls friends, as her older brothers would drive over for shows and let her tag along.
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Sylvia Novak has her fifth record finished, and it doesn’t sound like anything that she has done before. She’s given in to her rock sensibilities; her first love. Novak cautions that she may never play violin again.
She’s been very prolific. When this record is formally released, it will be her fifth full length, and she’s still just 31. Most of the new project was recorded in Birmingham at Boutwell Studios.
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Later this month, Morgan Wade will join a lineup at Mile 0 Fest in Key West, Florida that is traditionally heavy on the Red Dirt sounds of Oklahoma and Texas. Wade is from Floyd, Virginia.
But she’s heard nothing but the best about Mile 0 Fest from BJ Barham of American Aquarium, a mainstay at the festival returning for the third straight year. The two were scheduled to tour together before the pandemic abruptly canceled everyone’s plans in 2020.
In March, the 26-year-old Wade released Reckless, a perfect collection of ten songs about love and loss; addiction and mental health. The record has been years in the making. She first met Sadler Vaden when the two shared a festival bill in her hometown of Floyd, a town renowned for its’ country and bluegrass. But Vaden and his co-producer Paul Ebersold saw something else within her.
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Alvin Garrett is a Birmingham fixture. You may be most familiar with his work with Just a Few Cats, a group that he co-founded with Ruben Studdard. Now, Garrett isn’t just “a part” of Just a Few Cats; he is Just a Few Cats. The 43-year-old Tuscaloosa native has been the group’s only continuous member since its’ inception. A 1996 graduate of Central High School of Tuscaloosa, he continued his education at Samford University, and he has remained in Birmingham since making the move.
He grew up in the church; his father was a minister, and he fell in love with gospel music at an early age. But when he first dove in, it wasn’t singing that attracted him; it was bass guitar. His father gifted his first bass when he was just 11-years-old, an age when Garrett jokes that his hands were too small to play.
Since, he’s written songs for Noel Gourdin, Joe and Kelly Rowland.
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For most of us, there hasn’t been much to do for a year. Touring was put on hold. Travel was put on hold. Life was put on hold.
But Will Stewart figured out things to do. He made records with half of the musicians in Birmingham and now he’s releasing a new one at what seems like a weekly rate. He played on Janet Simpson’s debut solo effort, Safe Distance, which was released in March. He recorded an EP with Slack Times. And now at long last, the full length debut from The Blips has arrived. If ever there was a Birmingham supergroup, The Blips is it.
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Carver Commodore began at the dissolution of The Bear and the Bride. Lead singer and guitarist Payton Pruitt and guitarist Phil Blevins had performed together in the latter as its members swapped spaced between Florence and Nashville. Around 2017, Pruitt and Blevins decided to chase the thing they had always wanted: “just being a rock and roll band.”
Blake Ells 