The Best of Bonnaroo 2015.
It’s impossible to see everything at Bonnaroo. Further, it’s impossible to see everything that you want to see at Bonnaroo. The lineup is expansive and the grounds are sprawling. At some point in my five years of attending the festival, I realized that, and I made peace with selecting performances that I couldn’t often see, smaller stages and with absorbing more complete representations of a performance, rather than bouncing around, stage to stage, and catching 15 minutes of many different acts.
So I didn’t watch Alabama Shakes. Or My Morning Jacket. Because I have gotten and will likely get plenty of Alabama Shakes and My Morning Jacket. Both just released terrific new records that I love, but there were opportunities to see new and interesting things while their sets were going on, and I took advantage.
It’s objective, and no two experiences at this or any other festival can be the same. I repeat that every year, but there are music “critics” out there that seem to believe that their opinion is subjective and authoritative, so I feel like I have to keep repeating myself. I think I have pretty good taste, and if I have given you a track record to back that up, maybe you’ll continue to agree with my opinions and trust that my taste won’t steer yours wrong.
“The Muscle Shoals Legacy of FAME” isn’t the same telling of the FAME story you know. Rather, this story is about the impact Florence Alabama Music Enterprises, the recording studio and publishing company, had on the community that surrounded it and how it changed the next fifty years of music in Muscle Shoals.
I couldn’t make all of the photos that I had at my disposal work in the book, and over the next couple of weeks, I’ll try to provide a little more context for this story with some of the photos that I couldn’t use.
The Muscle Shoals Legacy of FAME is due June 29
To celebrate the release of The Muscle Shoals Legacy of FAME, I’ll be doing a signing at Alabama Booksmith in Homewood on June 29 from 4-6 p.m. There, you’ll be able to purchase a limited edition hardback first edition of the book. If you’d like to reserve one of these hardcovers in advance, you can do so at Alabama Booksmith’s site. Alabama Booksmith will be the only place hardbacks can be purchased. Hardbacks are $27.99.
Live out of the area? I’m hoping that I can make my way to you soon, but in the meantime, you can preorder the book on Amazon.
Ells. Scalici. The Fight Song Challenge.
Here’s the deal, y’all. On May 22, the offices at The Literacy Council were badly damaged in a fire. So much so, the non-profit was forced to temporarily relocate. This year, I have served as the Junior Board Chair for The Literacy Council, which has proven to be as unique of a like situation one could find themselves in – what began as a year with a few regular fundraisers with modest aims has turned into a year in which the Junior Board is assisting the Board of Directors in attempts to raise $500,000 by the end of August in order to handle these repairs and make other necessary improvements.
I Broke My Leg on the Way to the Bar
April 15. Tax day. At least, that’s what they tell me. At some point of coherence following detachment from the morphine drip, doctors told me that this recovery will take me up to 12 weeks. “At least I’ll be ready for festival season,” I thought.
It was a year, man. I’m not sure that my annual postcard from the road, my “weather is here, wish you were beautiful” requires a lot of setup this time; I worked hard, I played harder and things are as good as they have ever been. Continue reading
Broments, 2012. (or This Year-End Blog is Mostly Top Tens and Photos)
This annual blog post which began on MySpace, shifted to tumblr and has now found its home at my own site hosted by WordPress has been detailed, hopeful, resilient and depressing over the last three years. But, as I said last year, that was a trilogy. And the trilogy reached its conclusion in 2011. There were Ewoks.